The Indigenous Group of Seven, also known as the Professional Native Indian Artists Inc. (PNIAI), was a collective of Indigenous artists who emerged in 1973 to challenge the mainstream perceptions of Indigenous art and bring their unique perspectives to the forefront of the Canadian art scene. Inspired by the original Group of Seven, these seven artists—Daphne Odjig, Alex Janvier, Norval Morrisseau, Carl Ray, Jackson Beardy, Eddy Cobiness, and Joseph Sanchez—blended traditional Indigenous art forms with contemporary styles, creating powerful and culturally significant artworks that celebrated Indigenous identity and heritage. Their groundbreaking contributions continue to shape and influence Indigenous art movements today.

Norval Morrisseau, also known as Copper Thunderbird, was a highly influential and renowned Canadian artist of Ojibwe descent. Born in 1931 from the Bingwi Neyaashi Anishinaabek First Nation on the Sand Point reserve near Beardmore, Ontario, Morrisseau became known as the founder of the Woodland School or Anishinaabe art movement. His bold and vibrant paintings often depicted traditional Anishinaabe stories, legends, and spiritual themes, showcasing his deep connection to his Indigenous heritage. Morrisseau’s unique style combined traditional iconography with contemporary techniques, creating a visual language that bridged the gap between the past and the present. His artworks not only celebrated the richness of Indigenous culture but also served as a catalyst for the recognition and appreciation of Indigenous art in the mainstream art world. Morrisseau’s contributions as an artist and advocate for Indigenous rights and cultural preservation continue to have a profound impact on the art community and the wider society.

Norval Morrisseau, often referred to as the “Picasso of the North,” was a self-taught artist who never attended art school but developed his skills through his innate talent and connection to his cultural roots. His early works featured simple graphic narratives with a neutral palette, eventually evolving into bold colors and thick black lines that revealed x-ray views of people and animals. This evolution was believed to be influenced by the stained-glass windows he observed in churches. In 1962, Morrisseau had his first solo exhibition at the Pollack Gallery, marking the beginning of his prominent career.

Throughout his life, Morrisseau received recognition and acclaim for his contributions to Indigenous art and culture. His artworks not only celebrated the richness of Indigenous traditions but also challenged the dominant art world by showcasing the power and beauty of Indigenous narratives. Today, his legacy continues to inspire and influence artists, and his advocacy for Indigenous rights and cultural preservation leaves a lasting impact on the art community and society as a whole. Norval Morrisseau passed away on December 4th, 2007, but his artistic contributions and cultural significance live on.